Category Archives: qigong

SO serious!

Most people who do tai chi or qigong come along to a class because they want some exercise, perhaps also to meet likeminded people, maybe to do something a bit different, maybe to find some calm in a hectic working life, or to centre themselves… and so on.  Probably something like .0001% want to become teachers.

The teachers’ balancing act.
For the tai chi and qigong teacher, you want to share your enthusiasm – your insights into what you do, and what gives you enjoyment, but you also know that the vast majority are there to do something a bit different, and probably don’t take it as seriously as you do.
In other words, there’s a fine line between being overly serious in a class and making the event an enjoyable experience.
I’ve known a few instructors who take the whole thing extremely seriously without any sense of making it enjoyable, seeming to forget that most people are not there for the same reasons that they are there.

Getting irritated.
I’ve also known teachers who get annoyed when their students don’t understand something.  They seem to forget that the student is actually paying them money to come to the class, which implies that the student wants to learn, rather than be told off for apparently being stupid.  The teacher’s annoyance also strikes me as strange because, if someone doesn’t understand something in a class, surely the tutor has either aimed too high with the info, or else explained himself inadequately.  Sure, some people don’t listen, but perhaps their focus is still on something else from which you’ve now moved on.

‘I don’t get it.’
My view is that, if someone doesn’t get the point I’m trying to make, I’ve either  explained it badly, I’ve explained it in too complex a manner, I’ve taken too long to explain it, the analogy I’ve used to help people wasn’t good enough, I’ve tried to explain too much at the same time, or perhaps I haven’t demonstrated it clearly.

A tai chi or qigong class therefore has to cater for all. You need a bit of fun, a bit of a challenge, but at the same time you need to present some of the subtleties so that people leave thinking, “I didn’t know it could feel like that”, having experienced a change in either their bodies or in the way that they move, or possibly in the way that they see the world.

Asking questions.
People don’t like to ask questions.  I completely get this.  If you’re in a group of people, you don’t like to ask anything in case everyone will think the question stupid, or too basic, or missing the point, or in case you are asking a question that’s already been explained and you were too thick to get it first time around!

But in my experience, however stupid you might suspect the question is, there’s always someone else in the group who wanted to ask the very same question, and who’s really pleased when you ask it.
Furthermore, when people start asking questions, everyone suddenly gets involved and more often than not, other questions start to arise.  Then the class takes on a positive momentum of its own.
Questions mean that you’re thinking about what you’re doing and trying to get to grips with it in your own way.

Do I have to practise?
We’re not in a temple in China anymore; this is 21st century high-pressure life, and not many people want more pressure in a lunchtime or evening class.  No one wants to be emotionally beaten up by the instructor for not practising; yes, you might want to improve, but at your own speed.
For some teachers a student’s lack of practise can be very annoying, but those teachers either forget, or simply don’t take into account, that people learn for a variety of reasons, and that their students are not learning to please them.

Details of Tai chi and Qigong classes with James Drewe here.

Teaching Taiji & Qigong.

Changing the way I teach.
I’m rapidly coming to the conclusion that teaching in too basic a way in order to make tai chi and qigong accessible to new students is a mistake.  I say ‘rapidly coming to the conclusion’, but I think it’s taken me about 15 years.tai-chi-group
That’s how I was taught, and yes, it works to a certain extent, but you’re only learning patterns, you rarely get to feel the sensation of the body working in a unified way, and you certainly don’t get to experience intention effortlessly guiding your movements.
Not too surprising really, as the method of teaching is itself fragmented.

For example, here’s the instructions for moving from one Parting the Wild Horse’s Mane to a second one in the 24-step form (feel free to skip it, it’s just a description of movement):

1. Starting from the first Parting the Wild Horse’s Mane, sit back on to the rear right foot.
2. Move the weight forwards again on to the left foot, and whilst doing so, turn the foot outwards by approximately 45 degrees. As you do so, fold the upper arm, bending it at the elbow and turning the palm down with the forearm approximately parallel to the ground.  The body is now facing the corner.
3. Move the weight 100% on to the left foot, and move the lower arm through in the same direction as the turned out foot.  Bring the rear leg alongside the front foot without touching the ground if possible.
4. Continue to move the rear foot forwards so as to step ahead of the other foot.  In a horizontal rising arc, sweep the lower arm out via the left side to finish forwards with palm up so that it is above the (newly placed) right leg.  Push the palm of the other hand down beside you.  Etc. etc.

The above only describes a series of movements, and probably not 112very well.  There is no subtlety, and it’s only passing from one posture to another.

There is no explanation of:

  • the feeling that you should be experiencing,
  • where you should be relaxing,
  • how to relax,
  • how to achieve complete stability in the movement as you step through with the rear leg,
  • how to make the movement work from the core/centre,
  • how to sink and lift your qi,
  • how to connect the arms with the legs so that they work together,
  • how to connect shoulders with hips,
  • how to step correctly so that your qi moves correctly,
  • and what the function of the move is so that you direct your energy appropriately.

It’s the difference between learning movements and learning a skill… Which reminds me of a student whom I taught when I was new to teaching.

I was teaching the Yang 108 Form – the ‘Long Form’, and every week, the person I was teaching wanted to race ahead with the next moves in the form.  I was too new to it all to slow down the learning process, and as a result we completed the entire form in 2 terms – fairly amazing as it took me 2 years to learn the form!
At the end of it I was expecting him to say something along the lines of, “Let’s go into it in a bit more detail now.”  But instead he said, “Thanks for that; now I know tai chi.”

So I’ve begun to teach the minutiae to all.   I wasn’t sure about it at first.  I thought it would complicated-maths-2be too much for most, and occasionally it is, but I can also see that for those who persist, it will be much easier in the long run, and far more satisfying.

Because I learnt via the ‘basic’ teaching method means that for years I’ve also taught by the same method.  Because it’s basic, most of the nuances are missing.  As I gradually discovered them over time, it meant that I had to undo my old habits.
For nearly everyone, this can be very difficult.  It’s like being inside a closed box and trying to see outside it; you know what’s inside the box, you’re familiar with it, but your preconceptions of what might be outside the box can only be based on what you already know.  In other words you’re learning with an unclean slate.
I have seen my older students struggle with having to rethink my previous ignorance.

So I started to wonder what the point was in simply teaching beginners in the same way that I’d been taught, and began to experiment with putting much more detail into the classes.complicated-maths

It worked well because people can only take in what they can take in, and, whatever level that happens to be, they work with that.  To put it another way, people hear what they’re able to hear, and no more, and what they both hear and see is based entirely upon their own received experience to date.
It can’t really be any other way – it’s nigh on impossible to make a large jump in consciousness.

I don’t know how true this is, but there’s a story of Magellan arriving on the islands close to what is now known as the Magellan Straits (I have also heard the same story being located in Tasmania; perhaps this was Abel Jans Tasman’s experience rather than Magellan’s).
Apparently the islanders had never seen large ships before; ships were completely out of their range of consciousness or imagination, so they literally couldn’t see them.  The arrival of Magellan’s sailors was therefore almost magical, as they seemed to come from nowhere.

I’ve experienced a version of this in classes many times (and no, a load of sailors didn’t suddenly appear).  I’ll say something in a class, and someone who’s been doing tai chi for years will say, “You’ve never said that before!”
But I have, probably on many occasions, and in many different ways.

And I’ve also noticed it in my own learning.  Something that I’ve heard before but interpreted in one way, suddenly takes on a new meaning, and I realise that previously I’d entirely missed the point.

Details of Tai chi and Qigong classes with James Drewe here.

When You Move, I Move.

… or to put it another way, if something around me changes, I need to change as well.

Change
By and large we don’t like change, unless we consider it to be positive. Change is worrying for
newton-ball-cradle-2many reasons, perhaps the main one being that we have to remain conscious – we can’t afford to go to sleep because we don’t know what’s just around the corner, and it means we can’t rest; we feel that we have to be on our guard. This isn’t just ‘going with the flow’ stuff, it’s extremely practical. Perhaps it’s really about fearing and not fearing; it’s about taking life as it comes and adjusting to the new situation.
As Alan Watts would have put it, this is ‘The Wisdom of Insecurity’.

It’s making your relationships work; it’s getting what you need out of your work; it’s about not being stressed by events; it’s about coming to terms with change, even when the change isn’t what you’d hoped for; and, not very surprisingly as this is about tai chi & qigong, it’s also doing both solo tai chi as well as doing partner-work.

Practising changingDominoes falling
Normally no one practises adaptability or change; there are no mechanisms in place, no lessons in school, no times in our lives when we deliberately work on accommodating change.  By and large, we learn it through trial and error, with the help of parents and friends perhaps.  Even then we don’t really focus on the process, we’re more interested in getting through the uncomfortable moments than in understanding the process and mastering it.

Practising adaptability in solo tai chi & qigong
In solo practise, exactly the same thing is happening but is much harder to feel because no one is there to help you, you only have your own body.
You therefore have to start paying attention to what is going on inside you, feeling how not only the sides of your body support each other, but also how the front and back, and the head and the feet do precisely the same.
To take a couple of examples, if your left arm moves nearer your centreline, then your right arm somehow needs to create a balance.  Or if your hands push forwards, then something needs to go backwards.

Practising adaptability with another person
It’s easier to achieve this end in tai chi two-person work because you have to feel what is taking place in your body due to the changing pressures being exerted upon it by someone else.

How?
First you create an event; for example, the simple action of your partner pushing against
your arm.  If you do nothing you will be pushed backwards. Symbolically the event has trashed you!
The great thing about this is that, whereas most normal events only happen once, in this case you can get your partner to repeat the event as often as you want, i.e. you can practise.

change-2So what do you do about the push?  Perhaps you lift or lower your arm, or move it left or right… it’s not important, what is important is that you are finding the best way to deal with the issue, and what is more, you are starting to ‘listen’ to what is happening is the event, in this case the push.  The more you listen, the more nuances you will find in the push; no single push will be the same as another.
change

You will start to notice the subtleties in:
…Direction…
…Speed…
…Force…
and how all of these can alter.

You will also start to notice:
…How you tense or freeze…
…How sometimes you only move one part of you without the rest being involved…
…How difficult it is to find the balance between excess strength and weakness…
…And then you’ll begin to notice how the person with whom you’re working has similar problems and, even whilst pushing you, doesn’t balance him/herself correctly.

Tai chi and qigong classes with James Drewe here.

Making a Connection in Taiji & Qigong – Sinking Qi

When you first begin tai chi and qigong, you spend most of your time trying to remember the positions of arms and legs in the various postures, and then which posture follows the previous one.
Gradually you begin to know a repertoire of postures, one following another; in other words – the tai chi ‘form’, or a qigong ‘set’ of exercises.

yang-cheng-fuAt first this ends up as though you are physically reproducing a series of photographs; you move the body into the position of one photo, then another, until you’ve got to the end.
You’ve now learnt the shape of the form – the equivalent of a musician learning which note follows which, but without any great fluency, interpretation, or subtlety.

Then there’s all that talk about ‘flow’… ‘flowing’ from one position to another. How do you do it?  How do you smoothly transition between one movement and another?
This could be referred to as the ‘connection’.

Connecting the moves.
Connection is relaxation and continuation.  It is understanding what the energy of a movement is doing and how to convert it into something new.

In fact, we are continuously using this skill in many varied situations.

  • If friends are upset, we listen to them so as to help them convert their discomfort and see them through the problem.
  • If you’re driving your car around a 90 degree bend, you ease off on the corner in order to make the transition.
  • If you want to jump on a bus that’s passing you, you run alongside the bus before jumping on, rather than grabbing the handrail as it passes.

What takes place in all instances is a ‘listening’ to the first action in order to change it into the second action.  By doing so, you blend one action into another.

In taiji and qigong …
stance-bowstance-emptystance-bow

Let’s say you are starting in a left or right Bow stance (one leg ahead of the other, with the weight on the front leg – graphic 1, above); you are going to sit back on to your back leg (graphic 2), and then go forwards again into the same Bow stance that you started in (graphic 3).  You can ignore the hand positions.
Having sat back (graphic 2), the energy which has been going backwards needs to reverse, but without going directly forwards along the same ‘line’ that you sat back on.  If you do this, there will, in effect, be a ‘break’ in the movement, i.e. at the exact point where you finish sitting back prior to going forward again.  Trying to do that is like reaching your 90 degree bend in the road and attempting to do an abrupt right angle turn, i.e. missing out the curve of the bend.  The car would roll over.

  • As you start to sit backwards, the back knee gradually bends.  Be stance-bow-with-arrowaware that the direction of ‘flow’ is backwards (in this case), and that movement mustn’t stop – although it might change direction.  You are gradually tilting your pelvis (draw in your abdomen).
  • As you get near to the end of sitting back, think of relaxing the leg you’ve sat back on; you are actually relaxing the hip joint, but it’s easier to think of relaxing the leg.  (This is the right leg in graphic 2). Your pelvis is continuously tilting and ‘tucking under’.stance-empty-with-arrow
  • Soften your shoulders, elbows, (and hips) so that the ‘backwards’ energy/movement drops.
  • Make sure that you are breathing either in or out, it doesn’t matter which.  When you hold your breath the body can only partially relax; apart from anything else, the muscles don’t get the oxygen they need to stay elastic.
  • As you begin to reach the maximum amount that your bent rear knee can comfortably support you, your pelvis has tilted to its full amount.  Then begin to move forwards again.

What is now happening is that the body/centre is no longer moving backwards and forwards along the same horizontal line, it is now creating a circle.

Pain and Gain – The ‘Comfort Zone’.

Quite regularly, a beginner in tai chi or qigong is put off from continuing classes because he/she is experiencing a bit of discomfort.  This discomfort could be one of two things; 1) a muscle that isn’t used to being used, and/or 2) an existing condition that is being made to think about itself.

pain-1People get used to the way that they feel in their bodies, and the way they feel becomes their definition of ‘comfortable’. Even when in pain, this pain fits within the parameters of how they usually ‘are’, and therefore fits into the ‘comfortable’ definition.
Bizarre in one way, yet completely understandable in another.

It’s very difficult to feel what ‘more comfortable’ would feel like, isn’t it?  I mean, you are who you are at that precise moment, and anything else requires that you step out of that moment, and therefore outside who you are.
So, are you one of those who, when you feel discomfort, choose to stick with the old you, rather than try to change anything?ageing-1

Obviously this doesn’t apply to everyone, in fact it probably doesn’t apply to the majority; most want to stretch their boundaries, but it interests me that there are quite a few, particularly in the over-60s age group, who are reluctant to change.
Odd isn’t it?  I mean your body’s not going to get any better.  If you don’t do something about it, what with the ageing process of joints, muscles, tendons, blood supply, body tissue, metabolic rate, etc., you can guarantee 100% ageing-2that it’s actually going to get worse.
So why not push yourself a little bit to slow the whole process down?  What is there to lose?

The answer to that is … dis-comfort (or ‘not’-comfort).
It can be uncomfortable to push beyond your usual boundaries.  It not only requires effort to produce the feeling of discomfort (which can be unpleasant as it’s out of the comfort-zone), but when you have achieved dis-comfort, it requires the energy to deal with it.

This is often a simple thing like bending your knees to get a slightly lower posture, perhaps when stepping in tai chi or qigong, or when doing a standing qigong posture (which is more demanding as you  feel the discomfort more acutely).

Energy. Why do you need to relax?

Body Efficiency.
The efficiency of the body’s movements largely depends upon how relaxed you are.
Our amazing network of muscle & tendon, of artery & vein, of organs & lymphatic system, and of tissue with its astonishing elasticity, needs to work in a smooth and coordinated fashion for the body to function ‘like clockwork’.

Energy & Water.hosepipe-water
Energy and water move in similar ways. Energy moves through your body in the much the same way that water passes through a hose pipe. Both follow the path of least resistance.hosepipe-twisted
Both the body and a hose pipe can flex. However, if either the body or the hose pipe is bent or twisted beyond a certain amount, the flow of water/energy passing through it begins to meet resistance; the water/energy is squeezed, slowing its passage.

The ‘body hose pipes’.
There are two different points here.  The first is about general tension and stress, which is the one this blog is focusing on.  The second is that, under certain circumstances in martial arts we intentionally ‘bend the hose pipes’ in order to achieve a specific result, e.g. when doing either a hand, elbow, shoulder, knee, or heel strike.

Tension.
In the body, tension in the muscles is the equivalent of over-flexing the hose pipe. Physical/muscular tension or stress squeezes the nerves, reduces movement potential in the joints (by both pulling the joints together and by reducing flexibility), restricts the flow of blood and lymph, reduces breathing (which means that there is less oxygen for the cells, which causes an increase in stress), and reduces both coordination and balance.
In other words, the body’s energy becomes restricted and stops functioning as effectively.old-man

Getting older.
Aspects of this are particularly noticeable in older people where, because of a natural tightening of the tendons with age, the body contracts and starts to fold in on itself.  Often breathing becomes shallower, balance and coordination are compromised, and the flow of blood is reduced and the body feels colder.

Computers.computer-posture
This is also noticeable when we work for too long on computers. Our posture often becomes cramped over, the neck no longer balanced on top of the spine because we are leaning forwards. This in turn compresses the front of the body which reduces breathing, whilst our backs are under stress to support our forward-falling posture.

relaxed-apeRelaxation.
Undoing the series of hose pipes that make up the body will ensure that your tai chi & qigong movements, instead of feeling clumsy, off-balance and heavy, will feel loose and light, coordinated and flowing… unlike this character who’s a little over-relaxed.

Tai chi and qigong classes with James Drewe at http://www.taiji.co.uk/classes. 

Stepping. Don’t Just Stick Your Foot Out. 

How to step.
It’s a much more conscious process than walking:baby-stepping

  • Feet together
  • Bend knees slightly
  • Bending even more, start to extend a foot
  • Bending even more, place the foot (generally the heel, if moving forwards; the toes, if moving backwards; toes or heel, if stepping sideways).

The main point is that you keep dropping in order to step, and what most people do is to drop, then stop dropping, and then stick the foot out (forwards, backwards, sideways).

Why keep dropping?
This is easiest to understand if you have someone else to help you.
Assuming that you’re about to try to step forwards, you need someone to push gently against your chest (or if fold your arms across your chest, your partner can push your arms).curved-arrow
If you try to move directly into him/her, it’s just a case of the strongest person ‘winning’ – it’s yang against yang.
However, if you start to drop the body, the person pushing you suddenly finds that his push is no longer going in his intended direction; instead of pushing forwards, he is also starting to push downwards, which will help you to root yourself.

Solo Tai Chi form.
Because no one is pushing you when you do a solo form, it’s easy to get lazy and ignore the above. But it is essential that you do exactly the same, imagining that someone were there, trying to move you against your intention.

If, as normally happens in a tai chi movement, you are also rotating the body, this becomes even more difficult for someone who is attempting to push you, as the body now begins to move on several planes simultaneously.  Not only is the body dropping on the vertical, it is also rotating either clockwise or anticlockwise; and if the body is also retreating/advancing as well, it is very hard for your partner to get to grips with where you are and to find your centre in order to push you successfully.

Why do I need to step properly, as I never work with a partner?
You don’t.  But it depends on whether or not you want to experience your body working as a whole – unified.
When everything works together, movement becomes very easy; it feels as though you are ‘moving like clockwork’.  The expression is appropriate because, when one part of you stops moving whilst everything else continues to move, your body is behaving like an analogue clock inside which one cog goes on strike, and yet you expect the other cogs to carry on normally!

So keep on sinking as you step.

Tai chi and qigong classes with James Drewe at http://www.taiji.co.uk/classes.