Tag Archives: teaching

Practise, Repetition, & Questions.

Who practises?
I guess that most people don’t practise the exercises.  For the majority it’s enough to come to a class once a week, and have a reminder of the moves.  Fair enough… everyone who does tai chi or qigong does them for any number of reasons, and if it’s for a social reason, or just to get out of the house, then the once a week class is all you need.
However, if you want a bit more than that, even a small amount of practise will go a very long way, even if it’s only to keep you in the right mindset.

Practise & repetition.
The point of practise is to ingrain habits that enable you to move beyond the movements themselves.  It’s astonishing how your brain can learn and remember patterns of stretch and contraction – not just a single muscle, but you can remember how the entire muscular structure feels in relation to other muscles whilst undergoing a particular movement.  Yes, sometimes you might learn bad habits, but they can be corrected if you understand that practising is not a chore but is there to move you beyond your norm.

Your ‘norm’.
By this I mean the way that you usually make your body move, sit, stand, function.  This is the way that your habits of, for example, tensing one muscle unnecessarily when using another, are constantly repeated, so much so that it feels strange when you break the habit – the most common of these probably being the way that we use our shoulders, or our lower backs.
Practising will have effect of your ‘owning’ the new way of using your body; it’s the art of breaking habits, or changing your norm.

What is practising?
Practising is ‘intelligent repetition’.
What this does NOT mean is going over the whole tai chi or qigong sequence or set (this is the same as not playing the entire piano piece, playing all 18 holes of the golf course, or only playing a complete game of tennis) from beginning to end every time.
What this DOES mean is that you find the movement that feels awkward and is constantly giving you a problem and work on that part specifically.
If you only go through the Form from beginning to end, you end up repeating or fudging the same problems simply in order to get to the end.  Of course, if your aim is just to get the shape of the set of movements, then that’s a different matter.

Practising is Intelligent Repetition.
In other words there is a focal point to the practise.
Intelligent repetition is not a case of “throw enough mud at the wall and some will stick”, nor is it, “if I do 15 or 30 minutes every day, I’ll improve, irrespective of how much I concentrate”.
You might as well watch TV at the same time!
You find the problem (this might only be the bit where you have to think harder, or it could be the bit where the coordination slows you down) and you then dissect it, working on very small parts of it at a time.  A session of intelligent repetition will probably mean that you never get around to doing the whole sequence.
Intelligent repetition is the way to change things rather than repeating the same mistakes time after time.

Questions are great!
One of the interesting things about practising is that when you get it into your schedule, you start to find questions about what you’re doing.  Sometimes you find the answers to those questions simply through practising, and if not, you have a question for the next class.
I know that people don’t like to ask questions when in a group, but I like questions in a class, the more the better.
First of all, you can almost guarantee that if someone’s asking a question about something, someone else has the same question, or a slight variation.
Secondly, even if the same question is asked on several consecutive classes, the answer will never be the same; everyone has moved on from their previous norm, so a development of the answer will be necessary.
Thirdly, although I write a lesson plan for every class, the best classes are nearly always when someone unexpectedly asks a question in the class.  When this happens, the planned structure of the lesson immediately alters dramatically, and the lesson plan goes out of the window.
Fourthly, when someone asks a question, the group takes ownership of the class content, and immediately becomes more involved.

I can’t remember what to practice… It’s gone!
After a class, the knack is to practise anything that you can remember.
When you do so, sometimes other bits start to come back, and in your head you move back into the class where you learnt it.  If they don’t come back, it’s not a big deal; you’ve got your head into the right space, and are starting to take ownership of the material.

I might practise it the wrong way.
My own view is that this doesn’t matter; you can sort it out when you come to the next lesson, as long as you keep an open mind.  The act of practising, even incorrectly, brings you closer to what you’re trying to learn, and you’ll correct it all the more easily.  NOT practising moves you nowhere!

Finding time.
This is one of the big stumbling blocks; there’s always something which needs to be done first.
I suppose that, like dieting, you’ve got to really want to do it..
Once you’ve begun a routine of practising where you feel that, if you don’t, you’re letting yourself down, then you’re on your way.

For me, the best way to start was to borrow a couple of minutes from my usual schedule by getting out of bed before everyone else.  There were no distractions, and I wasn’t eating into my usual routine (or practising on a full stomach).  I know that for some people this doesn’t work whereas putting it into the diary at a specific time works better.

Find a way if you can… It will pay dividends.
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James Drewe teaches Taijiquan and qigong in both London and in Kent. Details of weekly classes can be found on the website, and there are classes for 2-person Taijiquan on one Saturday a month.

CONTACTS:
http://www.taiji.co.uk
http://www.qigonghealth.co.uk
Email: taijiandqigong@gmail.com
Phone: 07836-710281 or 020-8883 3308

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Tai Chi, The Arts, Intention and Interpretation.

Speaking.
When speaking, you speak in phrases.
If you take a phrase like, “Don’t you know what I want?”, by putting the stress on different words, it starts to take on different meanings – in fact you can repeat that 6 word question 6 times, stressing a different word each time, and you have 6 slightly different sentences.
If you then apply different emotions to the same words, saying it, for example, in a sad, laughing, amused, angry, aggressive, or bored way and you have more ‘meanings’.
Altering the speed at which you say the whole sentence changes it slightly yet again, and saying one part of the sentence slower than another part (e.g. “Don’t you know …what …I …mean?” alters it yet again.
These are aspects of language that we all do automatically and we’re very skilled at it; little thought is required, we’re highly practised because we’re always speaking.

The same has to be true for other aspects of our lives, speech is not the only way of expressing ourselves.  Artists, dancers and craftsmen have their way, and musicians have a way that perhaps is closest to speech because it involves sound.

Music & Tai Chi.
One of the most difficult things to teach is interpretation.  First of all it requires that the practitioner has the same skill with the subject (tai chi, art, carpentry, music) as he has with his own voice and use of language.  This takes a great deal of time and patience – it takes us years to learn to speak well.
In music, most people never get beyond the stage of being able to play the notes, (perhaps in carpentry this translates as ‘make a basic shape with a piece of wood’, or in tai chi ‘remember which move follows which in a routine’, or with poetry recitation, ‘learn the words of the poem to be recited’), because the next stage requires interpretation, which comes out of confidence in the underlying basic skill.

Intention & Interpretation.
Your intention defines what you are trying  to say, whether in movement, sound, wood, clay, stone, metal, or speech.  For example, when talking, you have an intention – you are expressing an idea or a thought which will promote further thoughts or actions; it’s not an aimless jumble of words that comes out of you without any idea of what you’re trying to express.

In music, the composer’s intention is to guide your emotions via a musical phrase (possibly melodic, harmonic, or by the use of orchestration).  With music which is only ever recorded, i.e. most rock or pop music (with some exceptions, and generally people only want a repeat of how it sounded when recorded), this is a fixed event; no other interpretation is available (except for cover versions).  However in both classical and jazz music, after the original written version is produced, interpretation starts to play a very important role.

Interpretation is the ‘living’ part of whatever you say or do.  It defines the meaning and can be instantly changed mid-flow to fit the situation of that precise moment.  Some might argue that it is the actual connection with Life itself; it is you being completely ‘in the moment’.

Tai Chi & Interpretation.
In music, as you play a piece, and in particular when you improvise, whatever you feel is produced through your fingers. The attached video clip has similarities to conducting.
In tai chi, the same is true, although the expression of the movement comes out through the entire body (arguably the same with music).  So if you are feeling joyful, tense, lethargic, calm, angry, sad, aggressive, bored, tired, or fed up, this will show in the outer movements.
In tai chi you are attempting to be ‘open’ and allow the universe to be expressed through you (as in music and all the Arts, in fact the same is probably true for the sciences and… well, everything).  Is this concept – i.e. your being a vessel of the universe’s expression – a conflict with the idea of interpretation?  Probably not; maybe the fact that it’s coming through an individualised human being is a bit like the shape of a clay pot being enhanced by a particular glaze?
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James Drewe teaches Taijiquan and qigong in both London and in Kent. Details of weekly classes can be found on the website, and there are classes for 2-person Taijiquan on one Saturday a month.

CONTACTS:
http://www.taiji.co.uk
http://www.qigonghealth.co.uk
Email: taijiandqigong@gmail.com
Phone: 07836-710281 or 020-8883 3308

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SO serious!

Most people who do tai chi or qigong come along to a class because they want some exercise, perhaps also to meet likeminded people, maybe to do something a bit different, maybe to find some calm in a hectic working life, or to centre themselves… and so on.  Probably something like .0001% want to become teachers.

The teachers’ balancing act.
For the tai chi and qigong teacher, you want to share your enthusiasm – your insights into what you do, and what gives you enjoyment, but you also know that the vast majority are there to do something a bit different, and probably don’t take it as seriously as you do.
In other words, there’s a fine line between being overly serious in a class and making the event an enjoyable experience.
I’ve known a few instructors who take the whole thing extremely seriously without any sense of making it enjoyable, seeming to forget that most people are not there for the same reasons that they are there.

Getting irritated.
I’ve also known teachers who get annoyed when their students don’t understand something.  They seem to forget that the student is actually paying them money to come to the class, which implies that the student wants to learn, rather than be told off for apparently being stupid.  The teacher’s annoyance also strikes me as strange because, if someone doesn’t understand something in a class, surely the tutor has either aimed too high with the info, or else explained himself inadequately.  Sure, some people don’t listen, but perhaps their focus is still on something else from which you’ve now moved on.

‘I don’t get it.’
My view is that, if someone doesn’t get the point I’m trying to make, I’ve either  explained it badly, I’ve explained it in too complex a manner, I’ve taken too long to explain it, the analogy I’ve used to help people wasn’t good enough, I’ve tried to explain too much at the same time, or perhaps I haven’t demonstrated it clearly.

A tai chi or qigong class therefore has to cater for all. You need a bit of fun, a bit of a challenge, but at the same time you need to present some of the subtleties so that people leave thinking, “I didn’t know it could feel like that”, having experienced a change in either their bodies or in the way that they move, or possibly in the way that they see the world.

Asking questions.
People don’t like to ask questions.  I completely get this.  If you’re in a group of people, you don’t like to ask anything in case everyone will think the question stupid, or too basic, or missing the point, or in case you are asking a question that’s already been explained and you were too thick to get it first time around!

But in my experience, however stupid you might suspect the question is, there’s always someone else in the group who wanted to ask the very same question, and who’s really pleased when you ask it.
Furthermore, when people start asking questions, everyone suddenly gets involved and more often than not, other questions start to arise.  Then the class takes on a positive momentum of its own.
Questions mean that you’re thinking about what you’re doing and trying to get to grips with it in your own way.

Do I have to practise?
We’re not in a temple in China anymore; this is 21st century high-pressure life, and not many people want more pressure in a lunchtime or evening class.  No one wants to be emotionally beaten up by the instructor for not practising; yes, you might want to improve, but at your own speed.
For some teachers a student’s lack of practise can be very annoying, but those teachers either forget, or simply don’t take into account, that people learn for a variety of reasons, and that their students are not learning to please them.

Details of Tai chi and Qigong classes with James Drewe here.

Teaching Taiji & Qigong.

Changing the way I teach.
I’m rapidly coming to the conclusion that teaching in too basic a way in order to make tai chi and qigong accessible to new students is a mistake.  I say ‘rapidly coming to the conclusion’, but I think it’s taken me about 15 years.tai-chi-group
That’s how I was taught, and yes, it works to a certain extent, but you’re only learning patterns, you rarely get to feel the sensation of the body working in a unified way, and you certainly don’t get to experience intention effortlessly guiding your movements.
Not too surprising really, as the method of teaching is itself fragmented.

For example, here’s the instructions for moving from one Parting the Wild Horse’s Mane to a second one in the 24-step form (feel free to skip it, it’s just a description of movement):

1. Starting from the first Parting the Wild Horse’s Mane, sit back on to the rear right foot.
2. Move the weight forwards again on to the left foot, and whilst doing so, turn the foot outwards by approximately 45 degrees. As you do so, fold the upper arm, bending it at the elbow and turning the palm down with the forearm approximately parallel to the ground.  The body is now facing the corner.
3. Move the weight 100% on to the left foot, and move the lower arm through in the same direction as the turned out foot.  Bring the rear leg alongside the front foot without touching the ground if possible.
4. Continue to move the rear foot forwards so as to step ahead of the other foot.  In a horizontal rising arc, sweep the lower arm out via the left side to finish forwards with palm up so that it is above the (newly placed) right leg.  Push the palm of the other hand down beside you.  Etc. etc.

The above only describes a series of movements, and probably not 112very well.  There is no subtlety, and it’s only passing from one posture to another.

There is no explanation of:

  • the feeling that you should be experiencing,
  • where you should be relaxing,
  • how to relax,
  • how to achieve complete stability in the movement as you step through with the rear leg,
  • how to make the movement work from the core/centre,
  • how to sink and lift your qi,
  • how to connect the arms with the legs so that they work together,
  • how to connect shoulders with hips,
  • how to step correctly so that your qi moves correctly,
  • and what the function of the move is so that you direct your energy appropriately.

It’s the difference between learning movements and learning a skill… Which reminds me of a student whom I taught when I was new to teaching.

I was teaching the Yang 108 Form – the ‘Long Form’, and every week, the person I was teaching wanted to race ahead with the next moves in the form.  I was too new to it all to slow down the learning process, and as a result we completed the entire form in 2 terms – fairly amazing as it took me 2 years to learn the form!
At the end of it I was expecting him to say something along the lines of, “Let’s go into it in a bit more detail now.”  But instead he said, “Thanks for that; now I know tai chi.”

So I’ve begun to teach the minutiae to all.   I wasn’t sure about it at first.  I thought it would complicated-maths-2be too much for most, and occasionally it is, but I can also see that for those who persist, it will be much easier in the long run, and far more satisfying.

Because I learnt via the ‘basic’ teaching method means that for years I’ve also taught by the same method.  Because it’s basic, most of the nuances are missing.  As I gradually discovered them over time, it meant that I had to undo my old habits.
For nearly everyone, this can be very difficult.  It’s like being inside a closed box and trying to see outside it; you know what’s inside the box, you’re familiar with it, but your preconceptions of what might be outside the box can only be based on what you already know.  In other words you’re learning with an unclean slate.
I have seen my older students struggle with having to rethink my previous ignorance.

So I started to wonder what the point was in simply teaching beginners in the same way that I’d been taught, and began to experiment with putting much more detail into the classes.complicated-maths

It worked well because people can only take in what they can take in, and, whatever level that happens to be, they work with that.  To put it another way, people hear what they’re able to hear, and no more, and what they both hear and see is based entirely upon their own received experience to date.
It can’t really be any other way – it’s nigh on impossible to make a large jump in consciousness.

I don’t know how true this is, but there’s a story of Magellan arriving on the islands close to what is now known as the Magellan Straits (I have also heard the same story being located in Tasmania; perhaps this was Abel Jans Tasman’s experience rather than Magellan’s).
Apparently the islanders had never seen large ships before; ships were completely out of their range of consciousness or imagination, so they literally couldn’t see them.  The arrival of Magellan’s sailors was therefore almost magical, as they seemed to come from nowhere.

I’ve experienced a version of this in classes many times (and no, a load of sailors didn’t suddenly appear).  I’ll say something in a class, and someone who’s been doing tai chi for years will say, “You’ve never said that before!”
But I have, probably on many occasions, and in many different ways.

And I’ve also noticed it in my own learning.  Something that I’ve heard before but interpreted in one way, suddenly takes on a new meaning, and I realise that previously I’d entirely missed the point.

Details of Tai chi and Qigong classes with James Drewe here.

Turning Your Head With Ease.

Whilst teaching, I’ve noticed that people do a number of unusual things when turning their heads.
Some tilt one ear nearer the shoulder which, in effect, lies the head slightly on its side, others lift the chin, some drop the chin, whilst others push the chin forwards.
None of these are much good for the neck, and some of them are potentially damaging.

Using the neck.
There’s a considerable amount of use of the neck in both tai chi and qigong, although perhaps for different reasons (taiji arguably for martial reasons, and qigong for health reasons).  But before you even begin to turn the head, it’s important to release the neck.

How do you do that?
Easy… focus on the back of your neck and ‘stop holding on’.   If you do this with no other agenda, you’ll find that your chin drops microscopically (whatever you Cervical-Spine 3 DJ USEdo, don’t try to drop the chin).  This freeing of the back of the neck combined with the dropping has the effect of allowing movement in the upper two vertebrae of the neck – the atlas and the axis. Without the release, they catch – one of the reasons for the ‘grinding’ that you sometimes feel.

Sandra Riddell, an Alexander Teacher in Edinburgh, has the following suggestion:-
Ask the neck to “let go of the head” followed by something like “so that the head can lead the spine into length….”.  Several students have said they find this clearer and more effective than just saying ‘free the neck’; indeed I do also.

The above might be enough to solve some problems for a few people, but there is another angle.

Our senses.
The majority of our senses, taste, smell, and in particular sight, are on the front of our heads, and because of that, we tend to ‘go towards’ whatever we are trying to taste, smell, or see.

Occipital lobeWhen our eyes see an object, the message is passed to the back of the eye and then via the optic nerve to the Occipital Lobe of the brain.  This is the part of the brain that recognises and interprets those messages.  The receptors and projectors are at the front of the face, and the screen is at the back of the head.

A possible solution.
Bearing in mind that we are really seeing with the back of our heads, it occurred to me that in order for people to stabilise their heads when turning them, instead of turning the face to look to the left or right, they could try ‘looking’ through the backs of their heads.
In other words, it’s as though you have eyes in the back of your head; give some attention to the back of the head turning as though it were trying to ‘look’.

I was astonished by the results of this simple idea; where beforehand heads had lifted, angled, stretched forwards, etc., everyone’s head stayed level – not just in one class, but in several.  Furthermore, people were able to turn their heads not only more comfortably but also slightly further.

A few thoughts on this…

  1. By putting this simple idea into practise therefore, the head rotates from its axis, rather than reaching forward for information, which misaligns the upper cervical vertebrae.
  2. As you literally see with the back of your head, you are merely allowing the eyes to act as a pair of cameras and moving the screen around ‘behind’ you.
  3. Normally when we look at something, we look ‘out of’ our eyes; our attention moves away from the body during the act of turning the head (cf. ‘out of our minds’).  By the awareness of re-positioning the screen at the back of the head, we stay in the body, and instead of ‘looking out of’ our eyes, the picture comes to us.

Taiji & qigong ‘Peng’.
The best part for me was that this fitted in with the tai chi and qigong principles of ‘Peng’, where all the opposites of the body (left/right, top/bottom, front/back) should balance each other and work harmoniously.  All of a sudden, the importance of turning the head to (e.g.) the left, was also an importance of turning the back of the head to the right.

Energy, Flow, & Learning

Energy
Energy is flow; without flow there is no energy.  A shortage of energy is therefore partly about a lack of flow … i.e. partial stagnation.

The energy industryLucozade
We are  constantly bombarded by energy foods, energy drinks, energy supplements, energy this and that, and exercises and methods to improve our energy.
More often than not, this seems to make the assumption that it’s okay to continue our lifestyle exactly as before, but, by just doing something new, by including a few additional healthy foods or activities, or by simply changing where we live, we can enhance our energy levels.
So, bearing in mind that our bodies are constructed entirely of what we eat and breathe, it might be worthwhile looking at how to reduce one’s supply of energy!

How do you reduce your energy levels?
Apart from the obvious, i.e. stop eating and drinking entirely, try using or cultivating any or all of the following:

  • Food, drinks, and any other substances that the body finds either hard to break down, hard to assimilate, or toxic
  • An excess of absolutely anything and everything (this includes an excess of exercise)
  • Suppression of elimination (e.g. discharge of toxins via sweating, excretion, etc.)
  • Emotional excess or suppression
  • Musculature that lacks tone, yet requires mobilisation
  • A sedentary lifestyle
  • Poor breathing habits
  • Air quality that causes the lungs to search for oxygen
  • Excess stress
  • Poor quality sleep (due to any of the above)
  • Extreme climatic conditions
  • Fixed attitudes

I realise that there’s a degree of overlap between most of these, and that we hear a lot about most of them, but I’m particularly interested in the last one.  How many times a day do we encounter that cause of stress? Hundreds? Thousands?

Fixed attitudes; inability to change
It’s that second when you find yourself thinking, “I don’t like that!”, or “That can’t be right; it’s not how I’ve done it before”, or “Why did he say that?”, or “That’s no way to behave”, or “What is that person on?”…
This is a major, if not the major, cause of stress.  When we resist something, not only does it persist, itKirlian apple holds us back like an anchor, stopping us from moving on.
I see this happening in myself all the time; I have a fixed idea of how something should be done, and, being instantly biased because I’m judging through a previously accepted set of criteria, find it very difficult to see outside the box.  The very fact that I initially have an opinion makes being open-minded very difficult.

Fixed attitudes & learning
I watch this happen when I’m learning tai chi.
Because I’ve been doing it for 40+ years means that I have a great many pre-conceived ideas of how I should be moving.  I have to consciously switch off what I think I know, so that I can attempt to view with new eyes.  It’s like trying to chew one’s own teeth; you’re using your mind to switch off your mind, whilst simultaneously standing outside yourself to become an observer.
The challenge for me is to catch this moment of lack of acceptance – the moment when I am not being completely open to the new.
If I’m able to catch it, I can see how it solidifies or hardens my attitude, blocking me.
By trying to operate through pre-conceived ideas, I’ve created in myself an energetic dam; I’ve stopped flowing; my inter-meshing with life is compromised; I’ve set myself against my current situation; my ego has got in the way; I’ve stopped learning.

How does this affect tai chi & qigong?
In the martial arts this is referred to as ‘blocking qi’, although this term is usually used to mean a raised shoulder, a tightened pelvis, a locked hip joint, or other problems such as a collapsed neck.
From the TCM (Traditional Chinese Medical) perspective, this blocking of qi causes an imbalance amongst the organs, initially causing loss of energy, and progressing over time to dis-ease, i.e. a lack of ease within the body.

I encounter this all the time, not only when learning, but also when teaching.
I’ve seen some of my students find this very hard, some of them actually leaving.
One student, I particularly remember, left after I’d taught High Pat on Horse slightly differently (as a result of my own lesson with my teacher) saying, “You never used to teach it like that, you’ve changed it.”
She was right; the basic shape of the move was identical, but, not only did it differ in the way that it connected to the moves before and after it, my interpretation of the actual movement had altered to become more circular, more flowing, and more connected to my centre. This was too much for her.
I used to be exactly the same! I wanted it all set in stone – a nice formula, a recipe, so that I ‘knew’ tai chi.

Perspective
To learn though, we have to base learning on something.  I’m not saying that all learning should start from the point of view of a clean slate; it must be built on what we’ve already learnt.
What I am saying is that we should be aware that our perspective on what we have previously learnt will alter, and we shouldn’t be too attached to the ‘old’ perspective.

So why does a ‘fixed attitude’ reduce your energy?
Energy & hose pipes
When teaching, in order to explain how energy functions in the body, I use the analogy of a garden hose pipe.
If, having attached your hose pipe to the tap, you lay it down the length of the garden and then turn the tap on, you get a free flow of water from the end of the pipe.
Hosepipe bentHowever, if there is a bend or kink in the pipe, the flow of water is restricted, and possibly even stopped.

Energy (blood & qi) works in exactly the same in the body; the bend or Muscular spasmkink is tension, whether physical or mental; where there is tension, the flow is restricted.  This could be the acupuncture channels, it could be the blood or nerve supplies, or it could be an ingrained attitude.  Nothing can grow without flow.
The qi is blocked, the water cannot flow in the pipe, the resistance to change (or something different or new) causes tension, and as a result our energy is compromised.

Learning (2)

When going for a lesson with my tai chi teacher, it always intrigues me that, when she’s trying to explain a new concept to me, it almost feels as though I’m on a different planet.

28aHow do you get to grips with a concept that is totally alien to you?  You can only relate it to something that you already know; otherwise it’s like being spoken to in a foreign language, or trying to join in a team sport of which you have absolutely no idea of the rules.

I noticed this particularly when learning some Wu style tai chi recently; to date I have done a lot of Yang style, a fair amount of Sun style, some Chen, some Wudang, and many years ago, 5 years of Lee style… well, 34 years ago to be precise.

The example that springs to mind was when learning how to do Brush Knee & Side Step.
Brush Knee has certain characteristics in the various styles… (The final position is that you are pushing one hand directly ahead, the other hand is palm down by the side of the body, and the front foot is the opposite to the hand that is pushing; e.g. right hand pushing, therefore left foot forwards.
However, the way that the left hand (in this case the lower hand) operates in Wu style has a subtle difference compared to Yang that I couldn’t ‘get’ at first.

Both my teacher and I obviously found this very frustrating, and this was exaggerated because her spoken English is better than my Chinese (which is virtually non-existent), but not nearly as good as her Chinese….

This last sentence is my first point; you have to spend a while deciphering what the teacher means, especially as a Chinese person, if translating in his/her head directly into English, will produce a sentence that will have the concepts of the sentence in a different order to the way that an English person would express the same sentence.
But this is just structural.  My main point is that when we learn, we base our new understanding on the construct of the old; we can only see the view from where we are at the moment, not from the other side of the valley.  To get to the other side of the valley, we bring ourselves, i.e. our habits, our patterns, our perspective, and our understanding, so it’s impossible to get an entirely new view or perspective of the world.

The only time this happens is when there is a ‘leap of understanding’, a eureka moment.  It reminds me of the story of Magellan’s discovery of the Straits that I once heard in a lecture.
I have no idea how accurately I’ve remembered this story, but the gist is that when Magellan’s ships came in sight of the shores, the inhabitants of those shores were unable to see the ships; the ships were so far from any experience that the inhabitants had previously had, that their minds were unable to compute their possibility, and therefore they were ‘physically’ unable to see them.

Whether or not this story is true doesn’t really matter, it’s the concept that’s interesting, because in a very minor way, this is what is going on when you try to learn something new. When you are learning, and the lesson makes a jump (perhaps you missed a class), it’s much harder to ‘see’ … almost as though an evolutionary thread has been broken.